I SHIN OHN
by Twa Digs Under Paris
1983, C-30, $3.50.
Chamber & electric industrial performance music, based on a text about an imaginary menage-a-trois band.

AUDIOBIOGRAPHIES I
by Twa Digs Under Paris
1985, C-60, $5.
Originally planned in 1982 this tape was finally recorded 3 years later. Musical biographies of Yves Tanguy, Joseph Beuys, Marcel Duchamp, Madam Blavatsky, & John Cage. Piano, electronics, saxes, tapes, etc.

AMNESIA FLASHBACK UNWOUND
by Qwa Digs Under Paris's
released by Swinging Axe Productions
1985, C-60, $6.
Side one is live documentation of "Music for Sleepless Nights" soundtrack for a performance piece of the same name. Side two includes electronics, sound-text, & saxes. Atonal & eclectic post modern music.

THE WAKESTS
by Qwa Digs Never Parish
released by Sound of Pig
1986, C-90, $6.
Side one is the performance tape for the Digs' intermedia production "Voyage 1984 Greta Garbo Limbo Flick." Side two contains audio art, improvisations, piano exotica.

EGO-WAKEST SOLOS
by Qwa Digs Never Parish
released by AudioFile Tapes
1987, C-60, $5.
Each piece is a 4-track solo by past members of the digs. Included pieces by Miekal, Liz, Drake Scott, Ybignor Moss, Drake Scott, Bub Lee, & Aro. From noisy & distorted to deep space, covers all the attitudes.

FLITGAS
by Aquatics Ever Tarnish/Malok
released by Sound of Pig
1987, C-60, $4.
A raucous freejam with Miekal And, guitar & saxes, Liz Was, drums & Malok on some big old synthesizer. This is one to blast thru the speakers to keep your mother-in-law at bay.

CAPTURE STOCKHAUSEN
by Aquatics Ever Tarnish
released by Sound of Pig
1987, C-60, $4.
The last gasps of old moogs before they go to their reward one on one side, shifting clouds of pitch density, you wont know where your feet are. Side 2 is a mixing women's mixing bowl quartet.

EUY
by Semantic Could Vanish
1988, C-60, $5.
Miekal And's zaumist text of the same name presented as an audio soundscape & noise opera. Hysteric languaging aberrations scared into existence by eavesdropping on a Babelian glossapoetic electromagnetic survival chant. Comes with text booklet. [Co-released by SCORE, Oakland, CA]

POLYNOISE
by Floating Concrete Octopus
released by Bangaway Productions
1989, C-60, $5
"A cassette is the radical commonplace MailRadio with the gist of volume & the powder of timbre teasing endless speculation & illusion. Music is a perverse mutation of historical noise."

WILLIAMSON STREET NIGHT
1989, C-60, $5.
Recorded during Bern's Dec 1989 Madison materialization. Side One is Bern reading from Abraham Lincoln Gillespie & Malok talking off the cuff. Also on this side is Bern reading from Abraham Lincoln Gillespie & Miekal And reading from his own book Raw. Sway. Aloud. simultaneously accompanied by a recording of the Wakanaki Indians. Side Two is Bern reading from Abraham Lincoln Gillespie & Liz Was reading Rooms by Gertude Stein. Note that all "reading" were renderings & not word-for-word.

Epic Cuts Fro' Deep Swamps
Produced by Zonerglyx
1990, C-60, $5.
Sound collage backing tape for the 1990 Festival of the Swamps Radio Cobweb. Includes cuts by Malok, Wisconsin Conservatory of Noise & Zonerglyx. The infinite underwater sounds cascading from a wall of water. Masterfully edited & multi-tracked.

AFTER MUSIC
by Floating Concrete Octopus
published by ASFi Music Works
1992, C-76, $6.
Side One includes excerpts from a 1989 tour of Baltimore, Toronto & Normal, Illinois while Side Two mixes together sounds from all locations. Lotsa home-made instruments combined with Mac & samplers.

VISQUESTIONARY GLEEM
by Wisconsin Conservatory of Noise
1992, C-46, $5.
Two noise-theatre works from '88-'89. Side One is the only extant performance of The Only Catalyst Symphony of Banjovere Jobanick. It was created on the occasion of being locked in Luigi's room full of invented banjos & strings. Vocal (& microphone-clanging) debut by 11-month old Liaizon Wakest. Sampler, voices, strings & a hollow body of invisible subtexts by Miekal And & Elizabeth Was. . . . Side Two is Choas Drum Choir. For many years we excluded drum machines from our audio palette, feeling that they could not be used in an interesting & improvisational manner. Here we break down our inhibitions & concentrate on interacting with a dialect of percussive information. This work includes Drake Scott on Chapman Stick & vocals.

V I D E O S

FIFTH ANNIVERSARY OF THE AVANT GARDE MUSEUM OF TEMPORARY ART / NEW YORK WEDDING
by Qwa Digs Never Parish
1987, vhs-90, $15.
The first is a collection of short pieces filmed in & around the Museum (the site of Xexoxial's original headquarters) in 1986. Second is a local TV station's raw footage of the 1987 marraige/performance of Elizabeth Was & Miekal And, followed by the 3-minute ditty they aired on the news that night.